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Following the footsteps of the blind masseur and swordsman Zatoichi comes Ichi, a woman and a daughter who travels the land as a 'goze' or visually impaired woman who plays the traditional three-stringed shamisen. This woman, however, has a hidden talent. She not only has the command of a lightning-fast blade, but also uses it in terms of justice and a quest for her long-lost father. Matching her skill is a man whose swordsmanship is only bested by his internal inhibition.
Ichi is a blind woman who roams about town with her shamisen (a three-stringed Japanese guitar), but she has exceptional sword skills with which she fights off yakuza and other villains.
Beset by tragic circumstances, often instigated due to her unfathomable beauty, the cruel fates bestowed upon her poignantly explored over the course of the feature, Ichi (the enthralling Haruka Aysae), a goze (a blind performer, who serenades people with her vocal talents and shamisen playing capabilities), with uniquely outstanding sword fighting skills, provided by a master she longs to discover, is forced to wander alone, after been accused of nefarious activity that was not of her own doing.<br/><br/>Set during an unidentified ancient period in Japanese history, the self-titled Ichi combines exceptional cinematography that wondrously captures the environments, while at the same time, the lavishly rich musical score heightens the beauty of the environments, and the poignancy of the horrible occurrences the leads are forced to endure. The bloody violence that accompanies the fight scenes is neither over the top, nor too little, and much like the rest of the feature, efficaciously encapsulates what can only be perceived as an accurately brutal portrayal of how cruel and barbaric, yet at the same time, vivid, life in this particular period could have been.<br/><br/>Touma (Takao Osawa) is a swordsman on a pilgrimage, and though he is capable of pretentiously boasting about his capabilities, he finds himself unable to draw his sword, for reasons that are conveyed over the course of the plot. The decision to not automatically reveal the back-story of the two leads brilliantly makes both characters mysterious and enchanting, as we hang on their journeys, in the hopes of discovering more about them, the depth provided to their characters been exceptionally orchestrated. Upon venturing into Ichi's life, she is forced to defend him against members of the villainous Ban-ki gang, their deaths spurring a vendetta, cast by their fellow members.<br/><br/>Led by the antagonistic Banki (Shido Nakamura), a once revered Samurai, past events left his face hideously scarred, though these afflictions are not nearly as grotesque as his mind, this man being turned into a lunatic warrior with a thirst for bloodshed, his violent origins having a direct link to Ichi, which is again further developed as the plot progresses. Accompanying Banki are a collection of equally violent men, one of whom being Izo (Riki Takeuchi), a fighter who proves to be almost as equally terrifying as his leader.<br/><br/>On their journey, Ichi and Touma come upon a town run by the Shirikawa's, a family consisting of Chobee (Akira Emoto) and his son, Toraji (Yosuke Kubozzuka), both of whom are members of the Yakuza, their township been plagued by continuous raids from the wretched Ban-ki gang, the local governmental personnel been unwilling to provide support. With the help of Kotaro (Ryosuke Shima), a young boy, Ichi is able to explore the town, during which she punishes members of the Ban-ki gang, Touma taking the credit for this particular brand of justice, which causes the town to hire him as their protector, unknowing that he is in fact incapable of providing the assistance they require, as the advances by the enemy continue to rapidly escalate.<br/><br/>As Ichi and Touma begin to spend more time together, a unanimous form of understanding and respect begins to grow between them, as the two traveling individuals discover they need each other for separate reasons. It ought to be noted, some of the sexual content in the film evolves around rape, and though I personally loathe films that use rape, or the threat of rape, as a form of entertainment, in the case of Ichi, this hideous act is used to not only realistically depict the horrors of the climate, but strengthens the sympathy we feel towards specific characters.<br/><br/>Although I have not previously witnessed the Zatoichi films this particular feature carries on from, so am unable to offer a comparative analysis, Ichi is a moving film with an equal amount of heart, brutality, character, depth and action, which elegantly and continuously captures the attention of its audience with the use of adventurous direction and poetic beauty.
Rethink, and perhaps continuation of the story of Zatoichi, the blind swordsman. here the blind masseuse and gambler has been replaced by a blind woman who is a trained musician. As the film begins she is looking for a certain man. One can pretty much assume that she wants to kill him. While staying with a blind woman some toughs decide to rough up her host when they won't pay for her services. A wandering samurai named Toma tries to help, but its Ichi who kills the men. Following Ichi Toma ends up hired as the protector of a village built around a town. They think Toma killed some of the gang that had been running rough shod over them, but it was actually Ichi. As the gang moves to take revenge, Toma and Ichi grow close. How it all plays out is the movie.<br/><br/>Some people really don't like this movie. I've seen somethings that have blasted the film for not being a real Zatoichi film. Some people have taken it to task for having poor performances, especially in the lead. I really liked the film. I had no problems with Haruka Ayase as Ichi. I found her fine for what the part is. This is not a real restart of Zatoichi, its more a continuation with flashback sequences implying that the elder Ichi was this girl's father. Its a film that is going in a different direction.<br/><br/>I have no trouble with the film being anything other than its own thing. You can't really compare it to the best of the Zatoichi series since its not really fair since those films had a couple of chances to hit their stride before they got it right. Its certainly better than the weakest of the series which could be downright dull. If I were to pin point the films flaws it would e the over length, I don't know if the film really needs to be two hours. Certainly it felt longer while watching it than when it was over. The other flaw is that the films budget at times makes it seem almost like a TV movie, especially with the use of computer generated blood.<br/><br/>I like the film a great deal and would recommend it, especially if you let the film do what it wants to do and not take for what its not, say a continuation of Beat Takashi's take on the characters. Worth a rental or an evening at the movies.<br/><br/>Between 7 and 8 out of 10
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